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  • Abbe, M. 2008. ‘Polychromy and Gilding on Marble Statuary at Aphrodisias,’ in R. R. R. Smith and J. Lenaghan (eds.), Aphrodisias’tan Roma Portreleri (Roman Portraits from Aphrodisias). Istanbul: Yapı Kredi Publishing, 136–151.
  • Attanasio, D. and Bruno, M. 2008. ‘Aphrodisias and the Newly Discovered Quarries at Göktepe,’ in R. R. R. Smith and J. Lenaghan (eds.), Aphrodisias’tan Roma Portreleri (Roman Portraits from Aphrodisias). Istanbul: Yapı Kredi Publishing, 216–227.
  • Berger, E. 1976. ‘La Reconstruction du Groupe d’Achille et Penthesilee,’ Revue Archéologique (Bulletin de la S.F.A.C.) 1, 187–189.
  • Bergmann, M. 1999. Chiragan, Aphrodisias, Konstantinopel: Zur mythologischen Skulptur der Spätantike. Wiesbaden: Palilia 7.
  • Cecamore, C., Lenaghan, J., Marabelli, C., and Melfi, M. 2026. ‘Plaster Casts of the Portico from Aphrodisias: Archaeology and/or Politics in the 20th Century,’ American Journal of Archaeology 130.1, 1–23.
  • de Chaisemartin, N. 1993. ‘Agonistic Images on Aphrodisian Sarcophagi,’ in C. Roueché (ed.), Performers and Partisans in Aphrodisias in the Roman and late Roman periods : a Study Based on Inscriptions from the Current Excavations at Aphrodisias in Caria. London: Journal of Roman Studies Monograph 6, 239–248.
  • de Chaisemartin, N. 1995. ‘Technical Aspects of the Sculptural Decoration at Aphrodisias in Caria,’ ASMOSIA: Association for the Study of Marble and Other Stones in Antiquity 4, 261–267.
  • de Chaisemartin, N. 1997. ‘Afrodisia, Roma e i Troiani,’ Archeologia Classica 49, 29–46.
  • de Chaisemartin, N. 2001a. ‘Le Retour des Troyennes: l’Exemple d’Aphrodisias,’ in V. Fromentin and S. Gotteland (eds.), Origines Gentium. Bordeaux: Ausonius, 187–206.
  • de Chaisemartin, N. 2001b. ‘Tradition Locale et Intégration dans l’Empire Romain d’une Cité Carienne: la Sémantique des Guirlandes sur les Monuments Publics d’Aphrodisias,’ in M. Molin (ed.), Images et Représentations du Pouvoir et de l’Ordre Social dans l’Antiquité : Actes du colloque, Angers 28–29 mai 1999. Paris: De Boccard, 147–158.
  • de Chaisemartin, N. 2024. Les Frises à Guirlandes d’Aphrodisias de Carie. Bordeaux: L’Atelier du Sculpteur 4.
  • Dillon, S. 1997. ‘Figured Pilaster Capitals from Aphrodisias in Caria,’ American Journal of Archaeology 101, 731–769.
  • Erim, K. T. 1967a. ‘De Aphrodisiade,’ American Journal of Archaeology 71, 233–243.
  • Erim, K. T. 1967b. ‘Two New Early Byzantine Statues from Aphrodisias,’ Dumbarton Oaks Papers 21, 285–286.
  • Erim, K. T. 1974. ‘The Satyr and Young Dionysos Group from Aphrodisias,’ in Mansel’e Armağan/Mélanges Mansel. Ankara: Türk Tarih Kurumu Basımevi, 767–775.
  • Filippi, F. 2004. ‘Statuetta in Marmo di Afrodite di Aphrodisias Ritrovata a Trastevere,’ Bollettino d’arte 128, 11–18.
  • Frei-Stolba, R. 1993. ‘Ein Neues Zeugnis zum Alpenfeldzug. Die Trumplini und Raeti im Sebasteion von Aphrodisias (Karien, Türkei),’ Jahresbericht des Rätischen Museums Chur 123, 64–91.
  • Giuliano, A. 1960. ‘Rilievo da Aphrodisias in Onore di Zoilos,’ Annuario della scuola archeologia di Atene e delle Missione Italiane in Oriente 37–38, 389–401.
  • Hallett, C. H. 1998. ‘A Group of Portrait Statues from the Civic Center of Aphrodisias,’ American Journal of Archaeology 102, 59–89.
  • Hallett, C. 2008. ‘Four Statues from the Workshop of Apollonios Aster,’ in R. R. R. Smith and J. Lenaghan (eds.), Aphrodisias’tan Roma Portreleri (Roman Portraits from Aphrodisias). Istanbul: Yapı Kredi Publishing, 70–85.
  • Harrison, E. B. 1981. ‘Motifs of the City-Siege on the Shield of Athena Parthenos,’ American Journal of Archaeology 85, 281–317.
  • Himmelmann, N. 1993. ‘Das Bildnis Pindars: ein Überraschender Porträtfund im Kleinasiatischen Aphrodisias,’ Antike Welt 24, 56–58.
  • Hyrchuk Kontokosta, A. C. 2008. ‘Gladiatorial Reliefs and Élite Funerary Monuments,’ in C. Ratté and R. R. R. Smith (eds.), Aphrodisias Papers 4: New Research on the City and its Monuments. Portsmouth, RI: Journal of Roman Archaeology Supplement 70, 190–229.
  • Işık, F. 1984. ‘Die Sarkophage von Aphrodisias,’ in B. Andreae (ed.), Symposium Über die Antiken Sarkophage, Pisa 5.–12. September 1982: Marburger Winckelmann-Programm, Marburg, 243–281.
  • Işık, F. 1989. ‘Ein Späthellenistisches Grabrelief aus Aphrodisias,’ in N. Başgelen and M. Lugal (eds.), Festschrift für Jale İnan. Istanbul: Arkeoloji ve Sanat Yayınları, 429–438.
  • Işık, F. 1992. ‘Zum Produktionsbeginn von Halbfabrikaten Kleinasiatischer Girlandensarkophage,’ Archäologischer Anzeiger 4, 121–145.
  • Işık, F. 1998. ‘Zu Produktionsbeginn und Ende der Kleinasiatischer Girlandensarkophage der Hauptgruppe,’ in G. Koch (ed.), Akten des Symposiums ‘125 jahre Sarkophag-Corpus.’ Mainz am Rhein: von Zabern, 278–294.
  • Işık F. 2007. Girlanden-Sarkophage aus Aphrodisias. Mainz: Sarkophag-Studien 5.
  • Ismaelli, T. 2016. ‘Una Testa di Atleta da Hierapolis, Creazione Afrodisiense in Stile Policleteo,’ in F. D’Andria, M. P. Caggia, and T. Ismaelli (eds.), Hierapolis di Frigia: le Attività delle Campagne di Scavo e Restauro 2007–2011. Istanbul, 609–621.
  • Klar, L. S. 2008. ‘Figural Table Supports: Aspects of the Archaeology of Dining in the Roman World,’ in C. Ratté and R. R. R. Smith (eds.), Aphrodisias Papers 4: New Research on the City and its Monuments. Portsmouth, RI: Journal of Roman Archaeology Supplement 70, 253–283.
  • Lenaghan, J. 2007. ‘On the Use of Roman Copies: Two New Examples of the Doryphoros and Westmacott Ephebe,’ Eidola 4, 147–152.
  • Lenaghan, J. 2008. ‘A Statue of Julia Hera Sebaste (Livia),’ in C. Ratté and R. R. R. Smith (eds.), Aphrodisias Papers 4: New Research on the City and its Monuments. Portsmouth, RI: Journal of Roman Archaeology Supplement 70, 37–50.
  • Lenaghan, J. 2016. ‘Re-use in Fourth Century Portrait Statues’ in R. R. R. Smith and B. Ward-Perkins, The Last Statues of Antiquity. Oxford: Oxford University Press, 267–279.
  • Lenaghan, J. 2018a. ‘Two Portraits from Aphrodisias: Late-Antique Re-visualizations of Traditional Culture-Heroes?’ Journal of Roman Archaeology 31, 458–473.
  • Lenaghan, J. 2018b. The Lost Shield Portraits of Aphrodisias: Reflections on Style and Patronage. Roma: Scienze e Lettere, 189–216.
  • Lenaghan, J. 2019. ‘Another Statue in Context: Rhodopaios at Aphrodisias’ in C. M. Draycott, R. Raja, K. Welch, and W. T. Wootton (eds.), Visual Histories of the Classical World: Essays in Honour of R. R. R. Smith. Turnhout: Brepols, 502–518.
  • Lenaghan, J. 2021a. ‘Models and Adaptations — Six Statues of Aphrodite from Aphrodisias,’ in J. Lipps, J. Griesbach, and M. Dorka Moreno (eds.), Rezeptionsprozesse antiker Statuenschemata in den Provinzen des Römischen Reiches. Wiesbaden: Reichert Verlag, 209–229.
  • Lenaghan, J. 2021b. ‘The Sculptors of Aphrodisias/La Scuola di Afrodisia in 2018,’ in R. Raja and J. Steding (eds.), Production Economy in Greater Roman Syria: Trade Networks and Production Processes. Turnhout: Brepols, 155–182.
  • Lenaghan, J. 2021c. ‘The Statues on the Propylon of the Sebasteion Complex at Aphrodisias: “Grounding” and the Interpretation of Archaeological Context,’ in P. D. De Staebler and A. Hyrchuk Kontokosta (eds.), Roman Sculpture in Context. Boston, 17–36.
  • Lenaghan, J. and S. Caruso. 2021. ‘A Female Portrait from Aphrodisias with an Unusual Hairstyle: Exploring Manufacture, Archaeology, and Meaning in Context,’ Asia Minor: an International Journal of Archaeology in Turkey 1, 57–73.
  • Lenaghan, J. and Quatember, U. 2023. ‘The Sculptor’s Workshop at Aphrodisias: a New Assessment of its Chronology from the Archaeological Perspective,’ Asia Minor: an International Journal of Archaeology in Turkey 3, 95–105.
  • Lenaghan, J. and Lenaghan, P. 2024. ‘The Muse of Zenon: From Syracuse to the Museum of Guadalajara,’ Journal of Roman Archaeology 37, 304–336.
  • Lenaghan, J. and Lordoglu, N. 2024. ‘Portraits of the Sons of Germanicus, Examples from Ephesos and Aphrodisias: Observations on Provincial Reception and Diachronic Use,’ Asia Minor: an International Journal of Archaeology in Turkey 4, 45–68.
  • Lenaghan, J. Forthcoming. ‘The Monument for Menandros (ALA 24),’ in G. Agosti and I. Tantillo (eds.), Iscrizioni Metriche nel Tardo Impero Romano: Società, Politica e Cultura fra Oriente e Occidente. Settant’anni dopo Louis Robert, Hellenica IV 1948. Rome.
  • Linant de Bellefonds, P. 1996. ‘The mythological reliefs from the Agora Gate,’ in C. Roueché and R. R. R. Smith (eds.), Aphrodisias Papers 3: The Setting and Quarries, Mythological and Other Sculptural Decoration, Architectural Development, Portico of Tiberius, and Tetrapylon. Ann Arbor, MI: Journal of Roman Archaeology Supplement 20, 174–186.
  • Madole, S. 2019. ‘A Mythological Frieze Sarcophagus from Aphrodisias Depicting the Birth of Dionysos,’ American Journal of Archaeology 122.1, 145–168.
  • Moltesen, M. 1990. ‘The Aphrodisian Sculptures in the Ny Carlsberg Glyptotek,’ in C. Roueché and K. T. Erim, (eds.), Aphrodisias Papers: Recent Work on Architecture and Sculpture. Ann Arbor, MI: Journal of Roman Archaeology Supplement 1, 133–146.
  • Öğüş, E. 2008. ‘Sarcophagus Production: From Quarry Block to Funerary Monument,’ in R. R. R. Smith and J. Lenaghan (eds.), Aphrodisias’tan Roma Portreleri (Roman Portraits from Aphrodisias). Istanbul: Yapı Kredi Publishing, 168–183.
  • Öğüş, E. 2014. ‘Rise and Fall of Sarcophagus Production at Aphrodisias,’ Phoenix 68, 137–156.
  • Öğüş, E. 2016. ‘Two Sarcophagi Made by Travelling Sculptors?’ in R. R. R. Smith et al. (eds.), Aphrodisias Papers 5: Excavation and Research at Aphrodisias, 2006–2012. Portsmouth, RI: Journal of Roman Archaeology Supplement 103, 347–352.
  • Özren, A. Can 1996. ‘Die Skulpturenausstattung Kaiserzeitlicher Theater in der Provinz Asia, am Beispiel der Theater in Aphrodisias, Ephesos und Hierapolis,’ Thetis 3, 99–128.
  • Ponti, G. 1996. ‘Ancient Quarrying at Aphrodisias in the Light of the Geological Configuration,’ in C. Roueché and R. R. R. Smith (eds.), Aphrodisias Papers 3: The Setting and Quarries, Mythological and Other Sculptural Decoration, Architectural Development, Portico of Tiberius, and Tetrapylon. Ann Arbor, MI: Journal of Roman Archaeology Supplement 20, 105–110.
  • Quatember, U. 2024. ‘Quarries, Monuments and Benefactors: the Connectivity of Natural Resources, Building Activities and Society in Roman Aphrodisias,’ in F. Pirson, B. Schütt, and T. Schulz (eds.), Micro-Regions as Spaces of Socio-Ecological Interaction: 1st Milestone of the Project “The Transformation of the Pergamon Micro-Region between the Hellenistic and the Roman Imperial Period.” Istanbul, 11–12 March 2022. Wiesbaden, 99–112.
  • Rockwell, P. 1991. ‘Unfinished Statuary Associated with a Sculptor’s Studio,’ in R. R. R. Smith and K. T. Erim (eds.), Aphrodisias Papers 2: the Theatre, a Sculptor’s Workshop, Philosophers, and Coin-types. Ann Arbor, MI: Journal of Roman Archaeology Supplement 2, 127–143.
  • Rockwell, P. 1996. ‘The Marble Quarries: a Preliminary Survey,’ in C. Roueché and R. R. R. Smith (eds.), Aphrodisias Papers 3: The Setting and Quarries, Mythological and Other Sculptural Decoration, Architectural Development, Portico of Tiberius, and Tetrapylon. Ann Arbor, MI: Journal of Roman Archaeology Supplement 20, 81–103.
  • Smith, R. R. R. 1987. ‘The Imperial Reliefs from the Sebasteion at Aphrodisias,’ Journal of Roman Studies 77, 88–138.
  • Smith, R. R. R. 1988. ‘Simulacra Gentium: The Ethne from the Sebasteion at Aphrodisias,’ Journal of Roman Studies 78, 50–77.
  • Smith, R. R. R. 1991a. ‘Late Roman Philosophers,’ in R. R. R. Smith and K. T. Erim (eds.), Aphrodisias Papers 2: the Theatre, a Sculptor’s Workshop, Philosophers, and Coin-types. Ann Arbor, MI: Journal of Roman Archaeology Supplement 2, 144–158.
  • Smith, R. R. R. 1991b. ‘A New Portrait of Pythagoras,’ in R. R. R. Smith and K. T. Erim (eds.), Aphrodisias Papers 2: the Theatre, a Sculptor’s Workshop, Philosophers, and Coin-types. Ann Arbor, MI: Journal of Roman Archaeology Supplement 2, 159–167.
  • Smith, R. R. R. 1995. ‘A New Shield Portrait in Izmir,’ Mitteilungen des Deutschen Archäologischen Insituts. Römische Abteilung 102, 331–339.
  • Smith, R. R. R. 1998a. ‘Cultural Choice and Political Identity in Honorific Portrait Statues in the Greek East in the Second Century A.D.,’ Journal of Roman Studies 88, 56–93.
  • Smith, R. R. R. 1998b. ‘Hellenistic Sculpture under the Roman Empire: Fishermen and Satyrs at Aphrodisias,’ in W. D. E. Coulson and O. Palagia (eds.), Regional Schools in Hellenistic Sculpture. Oxford: Oxbow, 255-262.
  • Smith, R. R. R. 1999a. ‘Herakles and Antaios at Aphrodisias in Caria,’ in G. Tsetskhladze et al. (eds.), Periplous: Essays for Sir John Boardman. London: Thames & Hudson, 298–308.
  • Smith, R. R. R. 1999b. ‘A late Roman portrait and a Himation Statue from Aphrodisias,’ in H. Friesinger et al. (eds.), 100 Jahre österreichische Forschungen in Ephesos: Akten des Symposions Wien 1995. Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 713–719.
  • Smith, R. R. R. 1999c. ‘Late Antique Portraits in a Public Context: Honorific Statuary at Aphrodisias in Caria, AD 300–600,’ Journal of Roman Studies 89, 155–189.
  • Smith, R. R. R. 2001. ‘A Portrait Monument for Julian and Theodosius at Aphrodisias,’ in C. Reusser (ed.), Griechenland in der Kaiserzeit: Neue Funde und Forschungen zu Skulptur, Architektur und Topographie ; Kolloquium zum 60. Geburtstag von Prof. Dietrich Willers, Bern, 12.-13. Juni 1998. Zürich: Institut für Klassische Archäologie der Universität Bern, 125–136.
  • Smith, R. R. R. 2002. ‘The Statue Monument of Oecumenius: A New Portrait of a Late Antique Governor from Aphrodisias,’ Journal of Roman Studies 92, 134–156.
  • Smith, R. R. R. 2007. ‘Statue Life in the Hadrianic Baths at Aphrodisias, AD 100–600: Local context and Historical meaning,’ in F. A. Bauer and C. Witschel (eds.), Statuen in der Spätantike. Wiesbaden: Reichert, 203–235.
  • Smith, R. R. R. 2008a. ‘Roman Portraits and Marble Production at Aphrodisias,’ in R. R. R. Smith and J. Lenaghan (eds.), Aphrodisias’tan Roma Portreleri (Roman Portraits from Aphrodisias). Istanbul: Yapı Kredi Publishing, 8–33.
  • Smith, R. R. R., 2008b. ‘Sculptors’ Workshops: Inscriptions, Images, and Archaeology,’ in R. R. R. Smith and J. Lenaghan (eds.), Aphrodisias’tan Roma Portreleri (Roman Portraits from Aphrodisias). Istanbul: Yapı Kredi Publishing, 102–119.
  • Smith, R. R. R. 2011. ‘Marble Workshops at Aphrodisias,’ in F. D’Andria and I. Romeo (eds.), Roman Sculpture in Asia Minor. Portsmouth, RI: Journal of Roman Archaeology Supplement 80, 62–76.
  • Smith, R. R. R. 2012a. ‘Monuments for New Citizens in Rome and Aphrodisias,’ in F. de Angelis et al. (eds.), Kunst von unten? Stil und Gesellschaft der antiken Welt von der ‘arte plebeia’ bis heute: Internationales Kolloquium anlässich des 70. Geburtstages von Paul Zanker, Rom, Villa Massimo, 8-9. Juni 2007. Wiesbaden: Palilia 27, 171–184.
  • Smith, R. R. R. 2012b. ‘Defacing the gods at Aphrodisias,’ in B. Dignas and R. R. R. Smith (eds.), Historical and Religious Memory in the Ancient World. Oxford: Oxford University Press, 283–326.
  • Smith, R. R. R. 2016b. ‘Three Statues and a Portrait Head: Four New Finds of Public Statuary’ in R. R. R. Smith et al. (eds.), Aphrodisias Papers 5: Excavation and Research at Aphrodisias, 2006–2012. Portsmouth, RI: Journal of Roman Archaeology Supplement 103, 292–302.
  •  Smith, R. R. R. 2018. ‘The Long Lives of Roman Statues: Public Monuments in Late Antique Aphrodisias,’ in M. Aurenhammer (ed), Sculpture in Roman Asia. Proceedings of the Conference in Selcuk 2013. Vienna: Austrian Archaeological Institute, 331–352.
  • Smith, R. R. R. 2019. ‘Mythology and Sarcophagi at Aphrodisias and Rome,’ in C. H. Hallett (ed.), Flesheaters: an International Symposium on Roman Sarcophagi. Wiesbaden: Sarkophag-Studien 11, 161–175.
  • Smith, R. R. R. 2021. ‘The Tail of Troilos’ Horse from Aphrodisias,’ in K. Koller, U. Quatember, and E. Trinkl (eds.), Stein auf Stein: Festschrift für Hilke Thür zum 80. Geburtstag. Graz, 225–231.
  • Smith, R. R. R. and Thomas, J. J. 2024. ‘The Basin at the East Propylon: Statuary and Mythological Reliefs, c. A.D. 500–550,’ in A. Wilson and B. Russell (eds.), The Place of Palms: an Urban Park at Aphrodisias. Wiesbaden, 151–162.
  • Smith, R. R. R. Forthcoming. ‘Epigrams and Statues at Aphrodisias: Contexts and recent Finds,’ in G. Agosti and I. Tantillo (eds.), Verse Inscriptions in the Late Roman Empire: Occasions and Contexts. Turnhout, ch. 10.
  • Smith, R. R. R. Forthcoming. ‘Theoi Sebastoi Olympioi: Hellenising Imperial Images in the Greek East,’ in R. Raja (ed.), Portraying the Individual in the Roman East: Local-Imperial Entanglement in Sculpture, Mosaics and Paintings (1st–4th centuries AD). Turnhout.
  • Smith, R. R. R. and Erim, K. T. 1991. ‘Sculpture from the Theatre: a Preliminary Report,’ in R. R. R. Smith and K. T. Erim (eds.), Aphrodisias Papers 2: the Theatre, a Sculptor’s Workshop, Philosophers, and Coin-types. Ann Arbor, MI: Journal of Roman Archaeology Supplement 2, 67–98.
  • Smith, R. R. R. and Hallett, C. H. 2015. ‘Troilos and Achilles: a Monumental Statue Group from Aphrodisias,’ Journal of Roman Studies 105, 124–182.
  • Smith, R. R. R., and Lenaghan, J. 2008. Aphrodisias’tan Roma Portreleri (Roman Portraits from Aphrodisias). Istanbul: Yapı Kredi Publishing.
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  • Squarciapino, M. 1983. ‘La Scuola di Aphrodisias (dopo 40 anni),’ in R. R. R. Smith and K. T. Erim (eds.), Aphrodisias Papers 2: the Theatre, a Sculptor’s Workshop, Philosophers, and Coin-types. Ann Arbor, MI: Journal of Roman Archaeology Supplement 2, 123–126.
  • Thomas, J. J. 2019. ‘‘The Statues of the Cyclops’: Reconstructing a Public Monument from Aphrodisas in Caria,’ Istanbuler Mitteilungen 68, 143–172.
  • Thomas, J. J. 2022. ‘The Colossal Figural Consoles of the Hadrianic Baths at Aphrodisias,’ Istanbuler Mitteilungen 72, 117–168.
  • Thomas, J. J. 2024. ‘The Sculptural Life of the Place of Palms, First to Seventh Centuries,’ in A. Wilson and B. Russell (eds.), Portraying the Individual in the Roman East: Local-Imperial Entanglement in Sculpture, Mosaics and Paintings (1st–4th centuries AD). Wiesbaden, 163–181.
  • Turnbow Awan, H. 2008. ‘The Display of Sarcophagi in the Cemeteries of Aphrodisias,’ in R. R. R. Smith and J. Lenaghan (eds.), Aphrodisias’tan Roma Portreleri (Roman Portraits from Aphrodisias). Istanbul: Yapı Kredi Publishing, 152–167.
  • Van Voorhis, J. 1998. ‘Apprentices’ Pieces and the Training of Sculptors at Aphrodisias,’ Journal of Roman Archaeology 11, 175–192.
  • Van Voorhis, J. 2008a. ‘The Training of Marble Sculptors at Aphrodisias,’ in R. R. R. Smith and J. Lenaghan (eds.), Aphrodisias’tan Roma Portreleri (Roman Portraits from Aphrodisias). Istanbul: Yapı Kredi Publishing, 120–135.
  • Van Voorhis, J. 2008b. ‘Two Portrait Statues of Boxers and the Culture of Athletics in the 3rd c. A.D.,’ in C. Ratté and R. R. R. Smith (eds.), Aphrodisias Papers 4: New Research on the City and its Monuments. Portsmouth, RI: Journal of Roman Archaeology Supplement 70, 230–252.
  • Van Voorhis, J. 2019. ‘Reconsidering the Sculptor’s Workshop at Aphrodisias’ in C. M. Draycott, R. Raja, K. Welch, and W. T. Wootton (eds.), Visual Histories of the Classical World: Essays in Honour of R. R. R. Smith. Turnhout: Brepols, 489–501.
  • Vermeule, C. 1964. ‘Aphrodisiaca: Satyr, Maenad and Eros,’ in L. F. Sandler (ed.), Essays in Memory of Karl Lehmann. New York: Institute of Fine Arts, 359–374.
  • Vorster, C. 2012–2013. ‘Spätantike Bildhauerwerkstätten in Rom. Beobacthungen zur Idealskulptur der Nachkonstantischen Zeit,’ Jahrbuch des Deutschen Archäologischen Instituts in Rom 127/128, 393–497.
  • Welch, K. and Gensheimer, M. 2013. ‘The Achilles and Penthesilea Statue Group from the Tetrastyle Court of the Hadrianic Baths at Aphrodisias,’ Istanbuler Mitteilungen 63, 325–77.
  • Yıldırım, B. 2005. ‘Karya’daki Aphrodisias’da Bulunan Sivil Roma: Bazilikasının Kabartmaları,’ in L. Özgenel (ed.), Eskiçağ’ın Mekânları Zamanları İnsanları. İstanbul: Homer Kitabevi, 133–145.
  • Yıldırım, B. 2008. ‘The Date of the Reliefs from the Colonnades of the Civil Basilica,’ in C. Ratté and R. R. R. Smith (eds.), Aphrodisias Papers 4: New Research on the City and its Monuments. Portsmouth, RI: Journal of Roman Archaeology Supplement 70, 107–130.

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