{"id":7692,"date":"2022-07-24T20:04:49","date_gmt":"2022-07-24T17:04:49","guid":{"rendered":"https:\/\/aphrodisias-excavations.com\/zoilos-frizi\/"},"modified":"2024-08-08T10:18:57","modified_gmt":"2024-08-08T07:18:57","slug":"zoilos-frizi","status":"publish","type":"page","link":"https:\/\/aphrodisias-excavations.com\/tr\/zoilos-frizi\/","title":{"rendered":"Zoilos Frizi"},"content":{"rendered":"

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Zoilos Frizi<\/strong><\/h2><\/h2><\/span>
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Julius Caesar ve Augustus d\u00f6neminde ya\u015fam\u0131\u015f, Aphrodisias\u2019\u0131n en \u00f6nemli hay\u0131rseverlerinden biri olan C. Julius Zoilos\u2019a ithafen yap\u0131lm\u0131\u015f bir mezar an\u0131t\u0131na ait bu fig\u00fcrl\u00fc b\u00fcy\u00fck kabartmalar 1956 ve takip eden y\u0131llarda g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131lm\u0131\u015ft\u0131r. \u0130lk defa 1979 y\u0131l\u0131nda restorasyon g\u00f6ren kabartmalar 1993-1994 y\u0131llar\u0131nda tekrar restore edilerek Afrodisias M\u00fczesi’nde yeni bir sergi alan\u0131nda, do\u011fru s\u0131ralamayla yerle\u015ftirilmi\u015ftir. Friz, \u015fehirdeki en erken fig\u00fcrl\u00fc mermer an\u0131t olma \u00f6zelli\u011fini ta\u015f\u0131maktad\u0131r.<\/p>\n

C. Julius Zoilos\u2019un \u00e7ok s\u0131ra d\u0131\u015f\u0131 bir hayat\u0131 olmu\u015ftur. Aphrodisias\u2019\u0131n yerlisi olan Zoilos esir d\u00fc\u015fm\u00fc\u015f ve hayat\u0131n\u0131n b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fcn\u00fc \u015fehirden uzak yerlerde ge\u00e7irmi\u015ftir. Daha sonralar\u0131 Zoilos azat edilmi\u015f ve \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc kazanm\u0131\u015f ve Roma\u2019n\u0131n ilk imparatoru Octavianus\u2019un (Augustus) sad\u0131k temsilcilerinden biri olmu\u015ftur. Zoilos, M\u00d6 40 dolaylar\u0131nda Aphrodisias\u2019a \u00e7ok zengin bir adam olarak geri d\u00f6nm\u00fc\u015f ve \u015fehir hayat\u0131nda \u00f6nemli g\u00f6revler \u00fcstlenmi\u015ftir. Aphrodite\u2019nin rahiplerinden biri olan Zoilos en az\u0131ndan \u00fc\u00e7 b\u00fcy\u00fck mermer yap\u0131 yapt\u0131rm\u0131\u015ft\u0131r. Bu yap\u0131lar Aphrodite tap\u0131na\u011f\u0131n\u0131n ilk safhas\u0131, tiyatronun ihti\u015faml\u0131 sahne binas\u0131 ve \u015fehir merkezindeki Agora\u2019n\u0131n kuzey stoas\u0131d\u0131r. Aphrodisias\u2019ta en az\u0131ndan iki kamusal heykel ile onurland\u0131r\u0131lm\u0131\u015f ve M\u00d6 28\u2019den sonraki bir tarihte \u00f6lm\u00fc\u015ft\u00fcr. Ayn\u0131 zamanda bu frizlerin s\u00fcsledi\u011fi bir an\u0131t mezarla da onurland\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Mezar yap\u0131s\u0131n\u0131n herhangi bir par\u00e7as\u0131 bulunamam\u0131\u015ft\u0131r fakat frizlerin kare formlu bir mozolenin yan duvarlar\u0131n\u0131 s\u00fcsledi\u011fi sonucu \u00e7\u0131kar\u0131labilir. Frizler Zoilos\u2019un hayat\u0131n\u0131 ve erdemlerini sembolik bir bi\u00e7imde anlatmaktad\u0131r. \u0130yi durumda korunmu\u015f olan ana friz, her biri yaz\u0131tlarla tan\u0131mlanan \u00fc\u00e7er fig\u00fcre sahip iki gruptan olu\u015fmaktad\u0131r. Zoilos\u2019un kendisi her bir grubun merkezinde iki farkl\u0131 k\u0131yafet giymi\u015f halde g\u00f6r\u00fclmektedir. Soldaki grupta Cesaret (<\/span>ANDREIA <\/span><\/em>Roma togas\u0131 giymi\u015f olan Zoilos\u2019a bir kalkan takdim ederken, Onur (<\/span>TIM\u0112<\/span><\/em>) onu sa\u011f eliyle ta\u00e7land\u0131rmaktad\u0131r. Sahne Zoilos\u2019un askeri cesaretini ve bir Roma vatanda\u015f\u0131 olarak stat\u00fcs\u00fcn\u00fc kutlamaktad\u0131r. Sa\u011fdaki grupta Halk\u0131 (<\/span>D\u0112MOS <\/span><\/em>simgeleyen fig\u00fcr, \u00fczerinde uzun bir seyahat pelerini ve ba\u015fl\u0131\u011f\u0131 giymekte olan Zoilos\u2019u kar\u015f\u0131lamak \u00fczere elini uzat\u0131rken \u015eehir (<\/span>POLIS<\/span><\/em>) onu arkadan ta\u00e7land\u0131rmaktad\u0131r. Sahne Zoilos\u2019un Roma\u2019dan eve d\u00f6n\u00fc\u015f\u00fcn\u00fcn y\u00fcceltilmi\u015f bir tasviridir. G\u00fcn\u00fcm\u00fcze ula\u015fan di\u011fer panolarda temsil edilen \u00f6geler aras\u0131nda Sonsuzluk<\/span> AI\u014cN<\/span><\/em>), Roma (yaz\u0131t\u0131 korunmam\u0131\u015f), Hat\u0131ra (<\/span>MN\u0112M\u0112<\/span><\/em>), yeralt\u0131 d\u00fcnyas\u0131n\u0131n hakimi Minos (<\/span>MEIN\u014cS<\/span><\/em>), Erdem (<\/span>ARET\u0112<\/span><\/em>) ve Sadakat (<\/span>PISTIS<\/span><\/em>) vard\u0131r.<\/span><\/p>\n<\/div>

Buluntu yeri: \u015eehir Surlar\u0131<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"class_list":["post-7692","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/comments?post=7692"}],"version-history":[{"count":13,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7692\/revisions"}],"predecessor-version":[{"id":9195,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7692\/revisions\/9195"}],"wp:attachment":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/media?parent=7692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}