{"id":7585,"date":"2022-07-28T11:51:14","date_gmt":"2022-07-28T08:51:14","guid":{"rendered":"https:\/\/aphrodisias-excavations.com\/uzmanlar\/"},"modified":"2025-12-09T20:42:38","modified_gmt":"2025-12-09T17:42:38","slug":"uzmanlar","status":"publish","type":"page","link":"https:\/\/aphrodisias-excavations.com\/tr\/uzmanlar\/","title":{"rendered":"Uzmanlar"},"content":{"rendered":"

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Uzmanlar<\/strong><\/h2><\/span>
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Profes\u00f6r R.R.R. Smith<\/b><\/p>\n<\/div>

bert.smith@classics.ox.ac.uk<\/p>\n<\/div>

Oxford \u00dcniversitesi Lincoln K\u00fcrs\u00fcs\u00fc\u2019nde Klasik Arkeoloji ve Sanat Profes\u00f6r\u00fc; New York \u00dcniversitesi Aphrodisias Kaz\u0131 Ba\u015fkan\u0131<\/p>\n<\/div>

1985 y\u0131l\u0131ndan beri Aphrodisias\u2019ta \u00e7al\u0131\u015fmalar y\u00fcr\u00fctmekte olan Bert Smith 1991 y\u0131l\u0131nda kaz\u0131 ba\u015fkan\u0131 olmu\u015ftur. 1985-1995 y\u0131llar\u0131 aras\u0131nda New York \u00dcniversitesi G\u00fczel Sanatlar Enstit\u00fcs\u00fc\u2019nde ders vermi\u015ftir. Aphrodisias projesi sayesinde New York \u00dcniversitesi ile yak\u0131n i\u015fbirli\u011fi devam etmektedir. 1995 y\u0131l\u0131ndan beri Oxford \u00dcniversitesi Klasik \u00c7a\u011f Ara\u015ft\u0131rmalar\u0131 Fak\u00fcltesinde ders veren Smith\u2019in uzmanl\u0131k alanlar\u0131 antik d\u00f6nem Akdeniz medeniyetleri sanat\u0131 ile g\u00f6rsel k\u00fclt\u00fcr\u00fc ve Roma \u0130mparatorlu\u011fu y\u00f6netimi alt\u0131na giren Yunan kentlerinin arkeolojisidir.<\/p>\n<\/div>

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Profes\u00f6r Katherine Welch<\/b><\/p>\n<\/div>

katherine.welch@nyu.edu<\/p>\n<\/div>

New York \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi\u2019nde Do\u00e7ent; Aphrodisias Kaz\u0131s\u0131 Ba\u015fkan Vekili, New York \u00dcniversitesi temsilcisi<\/p>\n<\/div>

Katherine Welch Aphrodisias\u2019ta 1991 y\u0131l\u0131ndan beri hem mimari hem de mermer heykel projelerinde \u00e7al\u0131\u015fmaktad\u0131r. Uzmanl\u0131k alanlar\u0131 \u00f6zellikle Roma, \u0130talya, T\u00fcrkiye ve Yunanistan\u2019da Hellenistik\/Roma Cumhuriyet ve Roma \u0130mparatorluk d\u00f6nemleri mimarisi, heykelleri ve resimleridir. \u015eu anda Stadyum \u00fczerine bir monograf haz\u0131rlamaktad\u0131r.<\/p>\n<\/div>

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Serra Somersan<\/b><\/p>\n<\/div>

serra.somersan@arch.ox.ac.uk<\/p>\n<\/div>

Doktora Aday\u0131, Oxford \u00dcniversitesi; Aphrodisias Kaz\u0131 Ba\u015fkan Yard\u0131mc\u0131s\u0131<\/p>\n<\/div>

Serra Somersan lisans ve y\u00fcksek lisans e\u011fitimini Ege \u00dcniversitesi Klasik Arkeoloji B\u00f6l\u00fcm\u00fc’nde ald\u0131. Bu e\u011fiitimi s\u0131ras\u0131nda Antandros’ta ele ge\u00e7en Korinth ve Ge\u00e7 Roma seramikleri \u00fczerine \u00e7al\u0131\u015ft\u0131. Serra 2017 y\u0131l\u0131ndan beri Aphrodisias Projesinin kaz\u0131 ba\u015fkan yard\u0131mc\u0131s\u0131d\u0131r. \u0130lgi alanlar\u0131 arkaik ve klasik d\u00f6nem seramikleri, a\u00e7\u0131k hava kutsal alanlar\u0131 ve Bat\u0131 Anadolu’da Klasik’ten Helenistik’e ge\u00e7i\u015f d\u00f6nemidir.<\/p>\n<\/div>

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Profes\u00f6r Ine Jacobs<\/b><\/p>\n<\/div>

Ine.Jacobs@classics.ox.ac.uk<\/p>\n<\/div>

Oxford \u00dcniversitesi Stavros Niarchos Vakf\u0131 Bizans Arkeolojisi ve G\u00f6rsel K\u00fclt\u00fcr\u00fc k\u00fcrs\u00fcs\u00fcnde profes\u00f6r, Aphrodisias Kaz\u0131lar\u0131 Arazi Sorumlusu<\/p>\n<\/div>

2003 y\u0131l\u0131ndan beri T\u00fcrkiye’de \u00e7al\u0131\u015fan Ine Jacobs, 2016 y\u0131l\u0131nda Aphrodisias Projesi’ne Saha Direkt\u00f6r\u00fc olarak kat\u0131ld\u0131. Uzmanl\u0131k alanlar\u0131, Ge\u00e7 Antik ve Bizans \u015fehircili\u011fi ve dekorasyonu ve bunun alg\u0131s\u0131 ve ile maddi k\u00fclt\u00fcr varl\u0131klar\u0131d\u0131r.<\/p>\n<\/div>

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Dip.Ing. Gerhard Paul<\/b><\/p>\n<\/div>

g.paul@aap.or.at<\/p>\n<\/div>

Mimar, Viyana, Aphrodisias Kaz\u0131lar\u0131 Anastylosis Mimar\u0131<\/p>\n<\/div>

Gerhard Paul, Viyana merkezli mimarl\u0131k \u015firketi AAP Architects\u2019in kurucusu ve y\u00f6neticisidir. Uzmanl\u0131k alan\u0131 okul ve \u00fcniversite yap\u0131lar\u0131 ile sosyal konut mimarisidir. 1983 y\u0131l\u0131nda beri Aphrodisias\u2019ta bulunan bir\u00e7ok \u00f6nemli Roma d\u00f6nemi binas\u0131n\u0131n anastylosis \u00e7al\u0131\u015fmas\u0131n\u0131 y\u00f6netmi\u015ftir. Bu yap\u0131lar Tetrapylon (1990), Sebasteion G\u00fcney Yap\u0131s\u0131 (2012) ve Sebasteion Propylon\u2019dur (2015).<\/p>\n<\/div>

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Dip.Ing. Thomas Kaefer<\/b><\/p>\n<\/div>

kaefer.thomas@aon.at<\/p>\n<\/div>

Mimar, Viyana, Aphrodisias Kaz\u0131lar\u0131 Anastylosis Mimar\u0131<\/p>\n<\/div>

Thomas Kaefer 1989 y\u0131l\u0131ndan beri Aphrodisias\u2019ta mimar olarak \u00e7al\u0131\u015fmaktad\u0131r. \u015eu ana kadar Tetrapylon, Sebasteion, ve Hadrian Hamam\u0131 dahil olmak \u00fczere antik kentteki bir \u00e7ok Roma d\u00f6nemi yap\u0131s\u0131n\u0131n restorasyon ve anastylosis projelerini y\u00fcr\u00fctm\u00fc\u015ft\u00fcr. Viyana merkezli Schenk Architects firmas\u0131yla \u00e7al\u0131\u015fan Kaefer, mimari restorasyon ve Aphrodisias \u00f6zelinde antik yap\u0131lar\u0131n anastylosis \u00e7al\u0131\u015fmalar\u0131 konusunda uzmanla\u015fm\u0131\u015ft\u0131r.<\/p>\n<\/div><\/div><\/div>

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Harry Mark, FAIA<\/b><\/p>\n<\/div>

harry@rsmdesign.com<\/p>\n<\/div>

Mimar, San Clemente Kaliforniya; Aphrodisias Kaz\u0131lar\u0131 Mimar\u0131<\/p>\n<\/div>

Harry Mark, Kaliforniya, San Clemente merkezli mimarl\u0131k ve grafik tasar\u0131m \u015firketi RSM Design\u2019\u0131n kurucusu ve y\u00f6neticisidir. 1995 y\u0131l\u0131ndan beri Aphrodisias\u2019ta \u00e7al\u0131\u015fan Mark, \u00f6nce \u00f6\u011frenci olarak ve daha sonra mimar olarak s\u00fcregelen kaz\u0131 \u00e7al\u0131\u015fmalar\u0131n\u0131n ve halihaz\u0131rda kaz\u0131lm\u0131\u015f binalar\u0131n mimari dok\u00fcmantasyonu alan\u0131nda \u00e7al\u0131\u015fmalar y\u00fcr\u00fctmektedir. 2014 y\u0131l\u0131nda Amerikan Mimarlar Enstit\u00fcs\u00fc \u00fcyeli\u011fine (FAIA) se\u00e7ilmi\u015ftir.<\/p>\n<\/div>

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\u2020Trevor Proudfoot<\/b><\/p>\n<\/div>

Ta\u015f Konservasyon Uzman\u0131, Birle\u015fik Krall\u0131k; Aphrodisias Kaz\u0131lar\u0131 Saha Koruma ve Mermer Konservasyon Uzman\u0131<\/p>\n<\/div>

Trevor Proudfoot 1991’den 2019’daki \u00fcz\u00fcc\u00fc vefat\u0131na kadar Aphrodisias’\u0131n ta\u015f konservasyon uzman\u0131yd\u0131. Ayn\u0131 zamanda \u0130ngiltere merkezli Cliveden Conservation adl\u0131 ta\u015f koruma \u015firketinin kurucusu ve y\u00f6neticisi idi ve \u0130ngiltere K\u00fclt\u00fcr ve \u00c7evre De\u011ferleri Koruma \u00d6rg\u00fct\u00fc ve \u0130ngiltere K\u00fclt\u00fcr Miras\u0131 \u00d6rg\u00fct\u00fc adl\u0131 kurumlara ta\u015f ve s\u0131va koruma konusunda dan\u0131\u015fmanl\u0131k hizmeti veriyordu. Trevor, Aphrodisias’ta b\u00fcy\u00fck \u00e7apl\u0131 mermer koruma projeleri y\u00fcr\u00fctm\u00fc\u015f, kire\u00e7 harc\u0131 duvar kaplama ve saha koruma konusunda uygulanan bir projenin ba\u015fkanl\u0131\u011f\u0131n\u0131 yapm\u0131\u015ft\u0131r. Y \u00fcr\u00fctt\u00fc\u011f\u00fc projeler aras\u0131nda Ge\u00e7 Antik \u00c7a\u011f Tondo B\u00fcstleri, Zoilos Frizi, Mavi At ve Sebasteion Kabartmalar\u0131n\u0131n konservasyon ve sergiye haz\u0131rlama projeleri yer al\u0131r. Trevor’un ba\u015far\u0131l\u0131 \u00e7al\u0131\u015fmalar\u0131 o\u011flu Lewis Proudfoot ba\u015fkanl\u0131\u011f\u0131ndaki Cliveden Conservators g\u00f6zetiminde kendisinin Aphrodisias’ta e\u011fitti\u011fi yerel ekip taraf\u0131ndan devam etmektedir.<\/p>\n<\/div>

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\n<\/span>D\u0130\u011eER EK\u0130P \u00dcYELER\u0130:<\/b><\/span><\/p>\n

    \n
  • Prof Marc B. Abbe (Georgia \u00dcniversitesi) \u2013 polychromy<\/span><\/li>\n
  • Dr \u00d6zge Acar (\u0130stanbul \u00dcniversitesi) \u2013 epigrafi<\/span><\/li>\n
  • Prof Michelle Berenfeld (Pitzer College, Claremont) \u2013 mimari, Trikonkhos Ev (\u2018Piskoposluk Saray\u0131\u2019)<\/span><\/li>\n
  • Dr Muradiye Bursal\u0131 (Pamukkale \u00dcniversitesi, Denizli) \u2013 Orta \u00c7a\u011f ve Osmanl\u0131 seramikleri
    \n<\/span><\/li>\n
  • Ian Cartwright (Oxford \u00dcniversitesi) \u2013 foto\u011fraf\u00e7\u0131l\u0131k<\/span><\/li>\n
  • Prof. Angelos Chaniotis (Institute for Advanced Study, Princeton) \u2013 epigrafi, tarih<\/span><\/li>\n
  • \u2020Dr Jim Coulton (Atina, Oxford) \u2013 mimari, Aphrodite Tap\u0131na\u011f\u0131<\/span><\/li>\n
  • Dr Kenan Eren (Mimar Sinan \u00dcniversitesi, \u0130stanbul) \u2013 erken d\u00f6nem tarih\u00e7esi ve arkeolojisi<\/span><\/li>\n
  • Dr Takashi Fuji (Kyoto \u00dcniversitesi) \u2013 epigrafi<\/span><\/li>\n
  • Prof Christopher Hallett (California \u00dcniversitesi, Berkeley) \u2013 heykelt\u0131ra\u015fl\u0131k, Bouleuterion<\/span><\/li>\n
  • Dr Melda K\u00fc\u00e7\u00fckdemirci (\u0130stanbul \u00dcniversitesi) \u2013 jeofizik y\u00fczey ara\u015ft\u0131rmas\u0131<\/span><\/li>\n
  • Dr Julia Lenaghan (University of Verona) \u2013 heykelt\u0131ra\u015fl\u0131k, Propylon of Sebasteion<\/span><\/li>\n
  • Dr Andrew Leung (Vienna) \u2013 mimari, Stadyum<\/span><\/li>\n
  • Dr Allyson McDavid \u2013 Hadrian Hamam\u0131\u2019n\u0131n ge\u00e7 evreleri<\/span><\/li>\n
  • Prof Vedat Onar (Istanbul \u00dcniversitesi) \u2013 zooarkeoloji<\/span><\/li>\n
  • Dr Ulrike Outschar (\u00d6stereichisches Historisches Institut, Roma) \u2013 Roma d\u00f6nemi seramikleri<\/span><\/li>\n
  • Dr Esen \u00d6\u011f\u00fc\u015f (Utah Valley \u00dcniversitesi) \u2013 lahitler ve heykelt\u0131ra\u015fl\u0131k<\/span><\/li>\n
  • Prof \u00dczlifat \u00d6zg\u00fcm\u00fc\u015f (\u0130stanbul \u00dcniversitesi-Cerrahpa\u015fa) \u2013 antik cam<\/span><\/li>\n
  • \u2020Prof Arzu \u00d6zt\u00fcrk (merhum) (Mimar Sinan \u00dcniversitesi, \u0130stanbul) \u2013 mimari, Hadrian Hamam\u0131<\/span><\/li>\n
  • Prof Christopher Ratt\u00e9 (Michigan \u00dcniversitesi) \u2013 arkeoloji, Agora, b\u00f6lgesel y\u00fczey ara\u015ft\u0131rmas\u0131<\/span><\/li>\n
  • \u2020Miss Joyce Reynolds (University of Cambridge) \u2013 epigrafi<\/span><\/li>\n
  • Dr Erica Rowan (Exeter \u00dcniversitesi) \u2013 arkeo-botanik ve \u00e7evresel arkeoloji<\/span><\/li>\n
  • Dr Charlotte Rouech\u00e9 (Kings College, Londra) \u2013 epigrafi, ge\u00e7 antik \u00e7a\u011f ve Hristiyanl\u0131k arkeolojisi<\/span><\/li>\n
  • Prof Benjamin Russell (Edinburgh \u00dcniversitesi) \u2013 arkeoloji, mermer ocaklar\u0131, Kuzey Temenos Evi kaz\u0131s\u0131<\/span><\/li>\n
  • Dr Ursula Quatember (Graz \u00dcniversitesi) \u2013 mimari, Bouleuterion<\/span><\/li>\n
  • Dr Alexander Sokolicek (Arch\u00e4ologisches Institut, Viyana) \u2013 arkeoloji, Tetrapylon Caddesi<\/span><\/li>\n
  • Prof Peter de Staebler (Pratt Institute, New York) \u2013 arkeoloji, Surlar, b\u00f6lgesel y\u00fczey ara\u015ft\u0131rmalar\u0131<\/span><\/li>\n
  • Prof Philip Stinson (Kansas \u00dcniversitesi, Lawrence) \u2013 mimari, Sivil Bazilika, Sebasteion<\/span><\/li>\n
  • Prof Ahmet Tolga Tek (Anadolu \u00dcniversitesi, Eski\u015fehir) \u2013 n\u00fcmizmatik<\/span><\/li>\n
  • Bet\u00fcl Teoman (Dokuz Eyl\u00fcl \u00dcniversitesi) \u2013 n\u00fcmizmatik<\/span><\/li>\n
  • G\u00fcltekin Teoman (\u0130zmir N\u00fcmismatik Derne\u011fi) \u2013 n\u00fcmizmatik <\/span><\/li>\n
  • Dr Joshua Thomas (Oxford \u00dcniversitesi) \u2013 heykelt\u0131ra\u015fl\u0131k<\/span><\/li>\n
  • Prof Julie Van Voorhis (Indiana \u00dcniversitesi, Bloomington) \u2013 heykelt\u0131ra\u015fl\u0131k, Heykel At\u00f6lyesi<\/span><\/li>\n
  • Prof Andrew Wilson (Oxford University) \u2013 arkeoloji, su teknolojisi, Kent Park\u0131 Kaz\u0131s\u0131<\/span><\/li>\n
  • Dr Bahad\u0131r Y\u0131ld\u0131r\u0131m (Harvard \u00dcniversitesi, Boston) \u2013 heykelt\u0131ra\u015fl\u0131k, Sivil Bazilika kabartmalar\u0131<\/span><\/li>\n<\/ul>\n<\/div><\/div><\/div>

    \u0130nternet sitesi: \u00e7izimler: Harry Mark ve di\u011fer mimarlar; foto\u011fraflar: Ian Cartwright, Guido Petruccioli ve di\u011fer proje ekip \u00fcyeleri; tasar\u0131m: Ozan Y\u0131ld\u0131r\u0131m; metinler: R.R.R. Smith.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"class_list":["post-7585","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/comments?post=7585"}],"version-history":[{"count":66,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7585\/revisions"}],"predecessor-version":[{"id":9500,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7585\/revisions\/9500"}],"wp:attachment":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/media?parent=7585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}