{"id":7474,"date":"2022-07-23T18:07:04","date_gmt":"2022-07-23T15:07:04","guid":{"rendered":"https:\/\/aphrodisias-excavations.com\/meclis-binasi\/"},"modified":"2024-08-03T15:28:28","modified_gmt":"2024-08-03T12:28:28","slug":"meclis-binasi","status":"publish","type":"page","link":"https:\/\/aphrodisias-excavations.com\/tr\/meclis-binasi\/","title":{"rendered":"Meclis Binas\u0131"},"content":{"rendered":"

<\/div><\/div><\/span>

Meclis Binas\u0131 (Bouleuterion)<\/strong><\/h2><\/h2><\/span>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div>
<\/div><\/div>
<\/a><\/span><\/div>
<\/div><\/div>
<\/a><\/span><\/div>
<\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>
<\/div><\/div>

Meclis Binas\u0131\/Bouleuterion \u015fehirdeki siyasi g\u00fcc\u00fcn merkeziydi. Kentteki en zengin ki\u015filerin \u00fcyesi oldu\u011fu ve az say\u0131daki n\u00fcfuzlu ailenin egemenli\u011finde olan <\/span>boul\u0113 (kent meclisi) burada bir araya geliyordu. Mevcut Meclis Binas\u0131 Romal\u0131 senat\u00f6r Tiberius Claudius Attalos ve karde\u015fi Diogenes\u2019in ailesi taraf\u0131ndan MS 2. y\u00fczy\u0131l\u0131n sonlar\u0131na do\u011fru in\u015fa ettirilen \u00f6zenle i\u015flenmi\u015f yeni bir yap\u0131yd\u0131. G\u00f6steri\u015fli mermer mimarisi bir kurum olarak meclisin \u00f6nemini ve ba\u015f\u0131ndaki ailenin mevkiini vurguluyordu. Aile fertlerinin heykelleri binan\u0131n i\u00e7ini ve d\u0131\u015f\u0131nda sergileniyordu.<\/span><\/p>\n

Bina, Anadolu\u2019da s\u0131kl\u0131kla g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi (\u00f6r. Ephesos), kentsel b\u00fct\u00fcnl\u00fc\u011f\u00fc sa\u011flayarak do\u011frudan Agora\u2019ya ba\u011flan\u0131r. \u00dcst\u00fc kapal\u0131, tiyatro benzeri bu yap\u0131n\u0131n i\u00e7inde 1700 ki\u015fi kapasiteli mermer oturma s\u0131ralar\u0131 ve iki katl\u0131, s\u00fctunlu, mermer bir sahne cephesi vard\u0131r. Auditoriuma (oturma yeri) bakan bu cephe boyunca dizili s\u00fctunlar\u0131n aras\u0131nda kamuya mal olmu\u015f \u00f6nemli hay\u0131rsever \u015fahsiyetlerin heykelleri bulunmaktayd\u0131.<\/p>\n

Oturma s\u0131ralar\u0131 bir s\u0131ra \u0131\u015f\u0131nsal be\u015fik tonozla desteklenmektedir. Alt k\u0131s\u0131mdaki oturma s\u0131ralar\u0131 (dokuz s\u0131ra) m\u00fckemmel bir \u015fekilde g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015fken \u00fcst k\u0131s\u0131mda (on iki s\u0131ra) sadece destek tonozlar\u0131n\u0131n duvarlar\u0131 korunmu\u015ftur. Meclis Binas\u0131, g\u00fcn\u00fcm\u00fcz belediye binalar\u0131nda oldu\u011fu gibi meclis toplant\u0131lar\u0131na ev sahipli\u011fi yapman\u0131n yan\u0131 s\u0131ra \u00e7e\u015fitli ba\u015fka etkinlikler (m\u00fczik ve g\u00f6steri konu\u015fmalar\u0131) i\u00e7in de kullan\u0131lmaya m\u00fcsait boyutlardad\u0131r. <\/span><\/p>\n

Bina antik d\u00f6nemin sonuna dek kullan\u0131lm\u0131\u015ft\u0131r ve bu d\u00f6nemde \u00e7at\u0131yla birlikte iki-\u00fc\u00e7 adet oturma s\u0131ras\u0131n\u0131n kald\u0131r\u0131lmas\u0131 ve olas\u0131l\u0131kla g\u00fcre\u015f yar\u0131\u015fmalar\u0131na ev sahipli\u011fi yapabilmek i\u00e7in orkestra \u00e7ukuru yarat\u0131lmas\u0131n\u0131 i\u00e7eren birtak\u0131m de\u011fi\u015fiklikler yap\u0131lm\u0131\u015ft\u0131r. Bu de\u011fi\u015fikli\u011fin ard\u0131ndan yap\u0131n\u0131n ald\u0131\u011f\u0131 form sahnenin \u00fcst silmesinde bulunan \u00f6nemli bir 5. y\u00fczy\u0131l yaz\u0131t\u0131nda <\/span>palaistra<\/span><\/em> (g\u00fcre\u015f alan\u0131) olarak an\u0131l\u0131r.<\/span><\/p>\n

\u0130ki karde\u015fin heykelleri oturma s\u0131ralar\u0131n\u0131 destekleyen duvarlar\u0131n u\u00e7lar\u0131nda duruyordu ve b\u00f6ylelikle sahneyi \u00e7er\u00e7eveliyor ve sahneye h\u00fckmediyordu. Babalar\u0131 Dometeinos ve Dometeinos\u2019un ye\u011feni Tatiane\u2019n\u0131n heykelleri ise d\u0131\u015far\u0131da Agora y\u00f6n\u00fcne bak\u0131yor ve Meclis Binas\u0131’na giri\u015fleri vurguluyordu. <\/span>Dometeinos ve Tatiane heykelleri<\/a> kaideleriyle birlikte neredeyse eksiksiz \u015fekilde g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015ft\u0131r. Bina i\u00e7inde, sahne cephesinde duran heykellerin sekizi de ayn\u0131 \u015fekilde korunmu\u015flard\u0131r.<\/span><\/p>\n<\/div>

<\/span><\/div>

Buluntular:
Dometeinos ve Tatiana Heykelleri<\/a>
Oecumenius<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"class_list":["post-7474","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/comments?post=7474"}],"version-history":[{"count":10,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7474\/revisions"}],"predecessor-version":[{"id":8934,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7474\/revisions\/8934"}],"wp:attachment":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/media?parent=7474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}