{"id":7447,"date":"2022-07-24T15:11:47","date_gmt":"2022-07-24T12:11:47","guid":{"rendered":"https:\/\/aphrodisias-excavations.com\/mavi-at\/"},"modified":"2024-08-01T11:48:54","modified_gmt":"2024-08-01T08:48:54","slug":"mavi-at","status":"publish","type":"page","link":"https:\/\/aphrodisias-excavations.com\/tr\/mavi-at\/","title":{"rendered":"Mavi At"},"content":{"rendered":"

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Mavi At<\/strong><\/h2><\/h2><\/span>
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Koyu mavi-gri mermerden yap\u0131lm\u0131\u015f d\u00f6rtnala ko\u015fan bu at 1970 y\u0131l\u0131nda Bazilika\u2019n\u0131n i\u00e7inde, kaidesinin kal\u0131nt\u0131lar\u0131 yan\u0131nda bulunmu\u015ftur. Bu heykel antik d\u00f6nemde restorasyon g\u00f6rm\u00fc\u015f olan cesur bir kompozisyondur. At\u0131n \u00fczerinde, k\u00fc\u00e7\u00fck demir i\u011fnelerle at\u0131n s\u0131rt\u0131na tutturulmu\u015f, kedigil derisi \u015feklinde alt\u0131n kaplama bronz bir e\u011ferin izleri g\u00f6r\u00fcl\u00fcr. At, kahraman gibi betimlenmi\u015f \u00e7\u0131plak bir gen\u00e7 taraf\u0131ndan s\u00fcr\u00fclmektedir. Beyaz mermerden yap\u0131lm\u0131\u015f bu gen\u00e7 erkek fig\u00fcr\u00fcn\u00fcn sadece tek bir bald\u0131r\u0131 g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015ft\u0131r. Kal\u00e7as\u0131ndaki kenet yerinden anla\u015f\u0131ld\u0131\u011f\u0131 \u00fczere bu kahraman gen\u00e7, attan d\u00fc\u015ferken betimlenmi\u015ftir.<\/p>\n

Heykel, L \u015feklinde bir kaide \u00fczerine, Bazilika\u2019n\u0131n nefinden i\u00e7eriye do\u011fru bakacak \u015fekilde yerle\u015ftirilmi\u015ftir. Kaidenin alt taraf\u0131 Bazilika i\u00e7inde in-situ halde (\u00f6zg\u00fcn yerinde) durmaktad\u0131r. Kaidenin \u00fcst k\u0131sm\u0131 ise restore edilmi\u015ftir ve Afrodisias M\u00fczesi’nde at heykelinin alt\u0131nda sergilenmektedir. Kaidenin bu \u00fcst k\u0131sm\u0131 \u00fczerinde, at\u0131n yan\u0131nda duran fig\u00fcr\u00fcn yerle\u015ftirildi\u011fi yerde d\u00fcbel delikleri g\u00f6r\u00fclmektedir. Bu eser, <\/span>at, kahraman s\u00fcr\u00fcc\u00fcs\u00fc ve ayakta duran fig\u00fcrden olu\u015fan<\/span><\/em>\u00fc\u00e7 fig\u00fcrl\u00fc bir gruptur. Bu heykel grubunun konusu muhtemelen Troilos ve Akhilleus\u2019tur. Gen\u00e7 Troia prensi Troilos, Troia surlar\u0131 d\u0131\u015f\u0131ndaki bir \u00e7e\u015fmeye at \u00fcst\u00fcnde gitti\u011fi bir anda Akhilleus taraf\u0131ndan pusuya d\u00fc\u015f\u00fcr\u00fcl\u00fcp \u00f6ld\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Eser, \u00fcnl\u00fc bir kompozisyon olan, Akhilleus\u2019un gen\u00e7 Troilos\u2019u d\u00f6rtnala ko\u015fan at\u0131 \u00fczerinden sa\u00e7\u0131ndan tutarak \u00e7ekti\u011fi an\u0131n tasviri olmal\u0131d\u0131r.<\/span><\/p>\n

\u015eehrin kuzey surlar\u0131na yerle\u015ftirilmi\u015f, heykel kaidesine ait yaz\u0131l\u0131 bir blok tam da bu konuyu betimleyen an\u0131tsal bir heykelden s\u00f6z etmektedir: <\/span>Halk, Troilos, at ve Akhilleus\u2019u yerine dikti.<\/span><\/em>. Bu blok, Bazilika i\u00e7indeki kaideye uymamaktad\u0131r fakat birbirlerine yak\u0131n boyutlar\u0131, iki par\u00e7an\u0131n bir \u015fekilde ba\u011flant\u0131l\u0131 oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcrmektedir. Mevcut kaide, MS 4. y\u00fczy\u0131l\u0131n ortalar\u0131nda Bazilika\u2019n\u0131n restore edildi\u011fi d\u00f6neme, heykelin ikinci defa sergilendi\u011fi zamanki haline aittir. At bu d\u00f6nemde kapsaml\u0131 bir restorasyondan ge\u00e7mi\u015ftir: \u00f6n bacaklar\u0131 ve yelesinin bir b\u00f6l\u00fcm\u00fc ba\u015fka bir mermer blo\u011fu kullan\u0131larak yeniden yontulmu\u015ftur. Bu durumda sur duvar\u0131nda ele ge\u00e7en yaz\u0131tl\u0131 blok ilk orijinal sergisinden olmal\u0131d\u0131r. Kamusal heykeller uzun \u00f6m\u00fcrl\u00fcyd\u00fc ve sergilenmek \u00fczere ba\u015fka yerlere g\u00f6t\u00fcr\u00fclebiliyordu. Bu heykel, antik heykeller aras\u0131nda b\u00fcy\u00fck boyutlu, mermerden yap\u0131lm\u0131\u015f, d\u00f6rtnala ko\u015fan bir at\u0131 temsil eden tek eserdir. Ayr\u0131ca at\u0131n burnundan kuyru\u011funa kadar tek par\u00e7a halinde yontulmu\u015f gibi g\u00f6r\u00fcnmektedir. <\/span><\/p>\n<\/div>

Buluntu Yeri: Bazilika<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"class_list":["post-7447","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/comments?post=7447"}],"version-history":[{"count":7,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7447\/revisions"}],"predecessor-version":[{"id":8901,"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/pages\/7447\/revisions\/8901"}],"wp:attachment":[{"href":"https:\/\/aphrodisias-excavations.com\/tr\/wp-json\/wp\/v2\/media?parent=7447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}